Stronger (Green; 2017)

The Boston Marathon bombings of April 2013 is one of those events that will long linger in the collective unconscious of the American public in a “where were you that day?” sort of remembrance.  One of the survivors of the blast named Jeff Bauman gained instant fame when he was not featured in a photograph alongside his rescuer which made its way into national television broadcasts and graced a great many printed publications as well as new websites and also was able to give authorities information which ultimately led to the discovery of the bombers’ identites.  Stronger is Jeff Bauman’s (Jake Gyllenhaal) story adapted from the book of the same name written by Bauman himself focusing less on the day of the bombing and more on his physical and mental recovery from the permanent injuries he was left with that day.

Your typical biopic is an exaggerated version of the events surrounding a person’s life.  While most writers and directors do honestly seek to honor the subject of their film as well as educate the public about someone they admire or at least find fascinating, they also realize that real life is often dull and able to be better covered in a documentary if accuracy is the goal over entertainment.  Look to my latest review of American Made as a perfect example.  While I’m sure most of the events covered in the film happened, I am just as sure that Barry Seal cannot have been the source of constant “What? Me Worry?” witticisms and unfazeable charm which Tom Cruise portrayed him as nor could the events unfolded in such a laugh riotous manner.  While I learned a lot about the contras and the drug trade during the ’80s, I also understand that American Made needs to grab my attention through entertainment because I am not going to theater to take a history course, and so the portrayal of characters and events need to be tweaked to fit the stylings of a film rather than be shown to us in stark realism.  What sets Stronger apart from the typical biopic is that it seems far more authentic than most films of its ilk for better and for worse.


You can tell that the characters in Stronger come from a specific person’s, in this case Jeff Bauman’s, point of view.  We see the people in his life as a group of well meaning, but ultimately seriously flawed individuals.  They want to help Jeff, and a great many put their own lives on hold to do just that, but all give in to the temptations of procrastination and distraction because helping Jeff adjust to his new life and situation is really difficult on both a mental and physical level.  Some characters turn to drinking all the time, some make excuses for him and for themselves, some plant themselves in a place of denial, but nearly all show a truly authentic dichotomy in their wanting to help Jeff but then coming up with excuses not to, especially Jeff himself.  But, one character, Jeff’s on and off girlfriend Erin Hurley (Tatiana Maslany) is the long suffering character put high on a pedestal that we all recognize in our lives, that one person we know can rescue us from our travails even if in actuality they can’t and who we come to rely on and take advantage of until we are harshly reminded just how much worse our lives would be without them.


Stronger also shows wisdom and authenticity in showing that the road to recovery isn’t really about grit and determination or that the most difficult steps take place in rehab.  It shows us people who need to learn about themselves in this new world they have entered, people who are used to things one way and who need to give up that one way no matter how difficult it is.  It’s a film that understands tragedy happens not just to one person, but to everyone around that person whether family, friend, or coworker.  Stronger also shows us that the things hardest for us to overcome are those that are not obvious even to ourselves.  Bauman learning to walk again using prosthetics is barely even an afterthought in the film, Stronger is more about his learning to be in crowds again and recognizing that he even has a problem with it, about not letting other people live his life for him now, and even about the little things we all take for granted that now became entirely different now that he’s lost his legs.  These are the things Stronger decides to show us, and this is why I call Stronger wise.

Since Bauman himself wrote the original book, we can easily understand where the wisdom and authenticity in the screenplay comes from (it comes from an incredible amount of self understanding and introspection – the easily applies to us, not Bauman).  None of that would have played on screen, though, were it not for the absolutely phenomenal performances given by Stronger’s cast.  Jake Gyllenhaal always gives us riveting characters, but here he outdoes even himself in both his physicality and in his character work.  The Jeff Bauman he gives us is a remarkably nuanced character who never falls into any sort of stereotype nor generality and always appears to be the multifacted, often even contradictory personalities we truly are.  Add to that the fact that he has to convince us he is a man who has no legs who once did, and he more than convinces, and you have a portrayal which I can nearly guarantee will be nominated for an Oscar come next year.  Walking down that red carpet with him I could also see Tatiana Maslany in her equally hyperrealistic performance of Jeff’s long suffering on-and-off girlfriend.  She gives us a rock who doesn’t even understand herself why she is making herself into one, who truly loves Jeff, but is also truly constantly disappointed in him, and this is the burden she has to come to grips with.   While Stronger obviously couldn’t have even existed were it not for Jeff Bauman, it wouldn’t have the depth and poignancy it does without Erin, and the title of the film applies just as much to her as it does to him – maybe moreso.


As fantastic as the characters are and as amazingly insightful the screenplay is, Stronger still has one Achilles’ heel which will turn off many audience members, and that is that with its remarkable realism comes a lack of spectacle and excitement.  Stronger is a character piece and a think piece through and through.  The most exciting events in the movie ever get are the anticipation of the bombing itself toward the start of the film, and the loud arguments shouted between people here and there throughout.  This isn’t a story which features physical struggles nor acts of bravery.  It’s a movie about internal torment and relationships, and thus it’s most often a very slow burn of a film.

Final verdict:  If you are a fan of biopics, then get yourself out to see Stronger sooner rather than later.  This is a shining example of the genre which approaches its subject matter which seems both familiar and entirely new at the same time due to the fact that it tackles its story so realistically.  It’s neither a feel good story, nor is it a total downer, but rather a realistic view of a regular life turned topsy-turvy through unavoidable tragedy.  If you are not a fan of biopics in general, this one is a little tougher of a sell.  You may not want to pay full price in the theater to check it out, but there is so much to take from Stronger, I’d ask that you at least give it a look one day down the line when you can stream or rent it.  You will never be thrilled, but you’ll almost certainly find yourself with new understanding.

Manchester by the Sea (Lonergan; 2016)

For those, like me, who are not the greatest at geography Manchester-by-the-Sea is not only the name of the latest film written and directed by Kenneth Lonergan and starring Casey Affleck, but it is also a town in Massachusetts roughly 30 miles northeast of the city of Boston.  The film, of course, takes place in the city, but drops the hyphens when writing its name, and it is this small fishing and touristy town of roughly 5,000 residents which gives the movie so much of its atmosphere.   The character’s accents are Boston, their attitudes small town, and the structures 100 percent New England.  Casey Affleck’s Lee Chandler left the town years ago to become a handyman in Boston due to a tragedy which takes some time to find out about, but you suspect right away when you hear people speaking in hushed tones about how he’s “that Lee Chandler”, and has to return when he finds out his brother Joe (played by, strangely enough, Kyle Chandler of Friday Night Lights and Bloodlines fame) has died.  The very introverted and withdrawn Lee is more shocked than anyone to find out that one of the provisions of Joe’s will is that Lee is now to be Joe’s son Patrick’s legal guardian.

Manchester by the Sea is a pretty remarkable film that defies any easy description.  It focuses on a series of tragic events in the lives of the Chandler family, but despite that it’s not a film I would classify as a tragedy nor a movie about overcoming hardships.  It’s central character is very closed off purposely, but much like real introverts its not something he does consciously so he’s more than welcome to let others in if they show a desire, and this isn’t a movie about him learning a lesson or changing as a person.  Ultimately, what Manchester by the Sea is is a look at a family separating and coming to terms with the events in their lives that caused the separation and where their new place in each other’s lives now needs to be.


If you thought that paragraph was convoluted, you should see our marriage.

If you’ve hear about this Manchester by the Sea prior to this, you have most likely heard about it because of Casey Affleck’s performance, and the praise he is getting is definitely deserved.  Affleck gives a very low-key, understated, downright morose performance, yet still manages to command your attention every second he is on screen which is nearly every second of the running time of the movie.  While he is the standout, there is not a bad performance to be seen here.  The already mentioned Kyle Chandler is wonderful as one of the few outgoing, lively characters to be seen here, Lucas Hedges as Patrick Chandler Lee’s nephew and new ward is outstanding and a great foil to Affleck, and Michelle Williams, while in a smaller role than many of the others, gives an incredibly realistic and nuanced performance as Lee’s ex-wife Randi.  Every performance here just feels so real, and as you go further down the rabbit hole that is the life of the Chandler family gets even more so showing how much talent and thought is behind each and every one of these individuals you see on the screen.

Kenneth Lonergan is the off screen star of the piece as both writer and director, both roles which a tackles with immense talent.  The screenplay he gives us is very complicated and needs to show us an entire history so we can make sense of the present of the film, and never does it become hard to follow nor overly melodramatic.  While I admit to thinking at times that there are so many tragic incidents in this family’s back story that I was close to inappropriate laughter once or twice near the end of the movie’s second act, it was only a little hard to swallow because of the number of occurences, never because of cause and effect or character reaction.  Everything flowed naturally and realistically, and absolutely oozes with New England character as a bit of icing on this particular slice of life story.


Here we see two Chandlers, not to be confused with Bing.

Manchester by the Sea is a great example of a realistic character piece.  It’s a very slow burning movie which through its portrayal of a broken man and his broken family sneaks up on us and leaves us in a state of emotion far stronger than we’d noticed.  You feel for Lee, Patrick, Randi, and everyone else we meet in this story, but it takes one of the film’s few and spaced about but intense emotional scenes for us to realize just how much they’re situation has gotten under our skin.   The movie is tragic, but never melodramatic, uplifting, but never schmaltzy, and ultimately therapeutic in how it shows that while life may never be easy, never be what we expect, and doesn’t offer pat solutions, we all understand this and we will be there for each other, even if not always exactly in the way we thought.

Rating:  8.0 out of 10

A side note about the movie which doesn’t belong in the movie proper:  I saw this film right after watching Nocturnal Animals, am struck with how much these two films are mirror images of each other.  Nocturnal Animals is an often pretentious movie about upper class and hillbilly stereotypes being cruel to each other and bringing about more and more cruelty for very petty reasons, while Manchester by the Sea is about a working class family going through tragic event after tragic event and showing how they do what they can to overcome what life throws at them and ultimately manages to make us cautiously optimistic.  I just find it interesting that two films getting major buzz at the same time for very much the same reasons can be such polar opposites in nearly every other way.