Jumanji: Welcome to the Jungle (Kasdan; 2017)

Jumanji: Welcome to the Jungle is a sort of sequel, but really more of a follow-up story, to the original Jumanji released in 1995.  We start this film one year after the original story of a board game which brought chaos to the town of Brantford, New Hampshire.  The mystical board game adapts to its time and transforms itself into a cartridge for a video game.  Four high school students who are given a chore to clean out some school storage areas as a punishment find this video game in 2017, and decide to give it a play as a distraction from their detention.  Each of the four students suddenly finds themself inside the video game as the character they chose to play, and they also find that they must complete the game in order to escape.

The story of Jumanji: Welcome to the Jungle is its weakest element as it is really nothing more than an excuse for jokes and action scenes.   The villain of the film is so weak and so personality-free that he may as well not exist.  I am not exaggerating when I say that if the villain were edited completely out of the film but nothing else was changed you wouldn’t notice a difference to the story other than it would be tighter and shorter.  As to the actual goal of taking a jewel to a gigantic statue and replacing it, it’s just a reason for the characters to not remain in one place and we never get any real sense of travel in the film, we just get to see that one scene takes place in a village, another in a chasm, and so on.

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As for the movie’s greatest strength, that would be its performances and particularly the one given by Jack Black.  The main conceit of the film allows for each of the four main actors to play characters who are against type, and while all have some fun with the idea, it’s Black that really throws himself into his character of the beautiful but insecure Instagram girl and ends up giving us a performance that is hilarious but also touching, relatable, and believable.  He impresses so much that when I was describing the film to friends afterward I kept using “she” as the pronoun I’d refer to Jack Black with.  The other actors were all funny and obviously had a good time, but none manage to give the honest performance Black did.  The Rock occasionally remembers he’s supposed to be a teenage nerd who is afraid of everything, but most of the time he’s just having a grand time mugging for the camera, which since he’s so good at it is not at all a bad thing.  Karen Gillan also largely just plays herself, but does have one fantastic scene with Jack Black in which she gets to be the shy wallflower.  Finally, Kevin Hart just acts like himself the entire time forgetting he’s actually supposed to be a high school football player.  Skill of performance aside, though, all four are very funny, charming, and have incredible chemistry which do make the movie worth watching.

The video game element of Jumanji: Welcome to the Jungle also allows for some clever humor and situations.  The fact that the movie is meant to actually be a video game actually makes this a better video game film than any film actually based on an existing video game franchise as it never pretends to be anything else and can, therefore, have fun with video game tropes and cliches.  The downside to this is that once you learn what these tropes are or if you are an avid gamer it makes the film predictable as the rules of the world tend to telegraph how any given situation will be overcome.

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Final Verdict:  Jumanji: Welcome to the Jungle is a fantastic film for kids, and still a relatively good one for the adults who take them.  The story is as predictable as they come, but the charming cast and the comedy at the expense of video games make up for that and make for an entertaining ride.  If the kids want to see this one, take them, but if it’s your adult friends who want to take you to see Jumanji you can wait until the movie comes out for streaming services and rentals.

Moana (Clements, Hall, Musker, and Williams; 2016)

Disney gives us its first Polynesian princess in the movie named for her, Moana, and quite the charming princess she is.  We first see her as a precocious infant, not afraid of the scary stories her grandmother tells the clan’s children, wanting to explore everywhere she can, and doing whatever she must to help others even at her own expense, even when she’s not old enough to be out of diapers, or swaddling clothes in this case.  This is typical of the modern era Disney princess, and while I’m among the many out there who are very glad to see that the modern Disney princess is very much a hero in her own right and doesn’t need a prince to rescue her, Moana shows that this formula is already starting to wear at least a little thin, and they really need to begin watching out for complacency in their story telling.

The major flaws in Moana, and what keeps it from being amongst the very best of this year’s crop of excellent animated features, are its very formulaic story telling technique, its very limited cast of characters, and its overly repetitive sense of humor.  The flaws really all go together, and negatively play off of one another.  The film really has only two major characters of any note, Moana herself (voice acted by Auli’i Cravalho) and the Hawaiian demigod Maui (voiced by Dwayne Johnson).  Moana’s parents and grandmother do appear toward the beginning of the film and various villains are scattered here and there throughout, but the vast majority of the time we spend with these two and only these two.  This really limits the types of interaction which can be had, and while their relationship does, of course, develop and grow throughout the film, that is the whole point of the movie, it does so using the same methods over and over.  They argue about the same things again and again, find themselves dealing with obstacle the same way over and over, and while I love self referential humor perhaps a bit too much, they make so many jokes referencing the fact that they are animated characters singing to each other in yet another Disney princess movie that at a certain point I just wanted to yell at the screen, “Enough already!”

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We’re full time parents, full time chieftans, and full time formulaic stereotypes.

But, while the plot and humor in Moana may be far too formulaic and forced, the Polynesian setting and mythology of the movie makes for incredibly new and original settings and situations as well as some of the most glamorous animation to hit the screen in this, or any other, year, really rivaled only by Kubo and the Two Strings in how utterly beautiful it is.  Part of me wants to list some of the feats Moana and Maui have to perform throughout their heroes’ quest just to demonstrate how unusual and fascinating they are, but that would spoil one of the best parts of the film.  The feats are really just episodic events that don’t play into each other for the most part, and really could be shown to happen in any order whatsoever, but that can be forgiven as it seems the film’s authors are trying to give us as much Polynesian mythology as they possibly can in a limited amount of time, and the results are a lot of fun and a wonder to look at.

While they don’t make a big deal of it in their advertising, Moana is a musical.  I’m guessing the reason Disney doesn’t showcase this element of the movie in the marketing is because the music on display here is nothing particularly noteworthy.  Auli’i has more songs than anyone else in the film, and she is an excellent singer, it’s just that she is given very mundane, derivative music to work with.  Dwayne Johnson has perhaps the most catchy song in the film, and he was a far better singer than I ever would have expected, but a day after my viewing and I already am having a hard time remembering much of his song outside the chorus and lyrics.  Much like everything else in the film, the music is put together with talent, it’s just not anything we haven’t heard before time and time again.

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Just look at this little dude!  Look at him!

Moana is a film that, in a way, really deserves different critiques for different audiences.  This is a film that absolutely can be enjoyed by all ages, there was a very little girl who seemed to be just learning to speak and looked to be of Ploynesian descent who sat with her family directly behind me for my viewing of the film, and while she was very talkative leading up to the film, she was absolutely silent the entire time until the very end when she erupted in applause and cheers.  When I was leaving the theater I saw her posing for her parents with a cutout stand of Moana, a look of joy and excitement on her face that let me know this was one of those movies she will remember fondly for her entire life.  For older children, a grand time will still be had, and I have no doubt they will be bugging their parents for the Blu-Ray one day so they can watch it over and over again.  As for the adults in the audience, you will be entertained, particularly by the awe-inspriring animation, but you will recognize the story as one you’ve seen over and over again, it’s just the trappings that are new this time around, but those trappings are pretty damn neat, neat enough that you can forgive, if not entirely overlook, the films pretty large problems.

Rating:  6.5 out of 10