Plan 9 From Outer Space. Troll 2. The Room. Ask any film lover what the worst film of all time is and you will most often get one of these three as your answer. Whichever they answer will also be a film they will tell you you have to see to believe with a sort of gleeful sado-masochism glinting in their eye. That’s because these films really aren’t the worst ever made, they are the most ineptly made. They are movies that make you wonder at how they could possibly have been made, at how any producer would willingly give money to such a project, and at how any director could have missed how horribly any single line of dialogue was delivered let alone every single line in an entire film. In short, at how could a film in which every single element is so badly botched that individually they could have never passed muster in even the most mediocre of films, and yet here we have an entire film made up entirely of such elements.
If there’s anything Hollywood likes more than stories about itself, it’s an underdog story, so when Tim Burton made Ed Wood in 1994 about the director who made Plan 9 From Outer Space it was lavished with film awards and nominations. Twenty-three years later it looks as if Hollywood history is about to repeat itself with The Disaster Artist, a film chronicling the life of The Room‘s creators Tommy Wiseau and Greg Sestero played by James Franco and his brother Dave Franco respectively. The Disaster Artist starts in the late 90’s (1998 if I remember correctly) when Tommy and Greg first met in an acting class, and chronicles the story of their friendship and primarily on their decision to make their own movie as they get rejection after crushing rejection from Hollywood studios and talent agencies.
I’ll just start with what makes The Disaster Artist a fantastic film, and that is James Franco. He is not only the star of the film but also its director, and his attention to detail in both of these roles is borderline mind-boggling. Just after the film’s finale but before the end credits begin to roll The Disaster Artist in a moment of entertaining and well-deserved bragging shows scenes from the actual film The Room and those same scenes as recreated in The Disaster Artist, and from the acting to the set design to the camera angles to the costumes everything is impressively close to spot on.
It’s in Franco’s portrayal of Wiseau, though, that the attention to detail really pays off. Tommy Wiseau is James Franco’s Rain Man or Forrest Gump, except that where those characters were a dedicated performance of a series of quirks, Franco gives us a fully realized character in Wiseau who is most assuredly strange, but he’s also passionate, lonely, craves attention, is hard to work with, but is also incredibly generous. Underneath the strange accent and tics is a fully realized, completely sympathetic person with a depth rarely seen in a film. I’m sure it helped that the real Tommy Wiseau and Greg Sestero are still here and had at least some interaction with the cast and crew of The Disaster Artist, but just because Franco had help most actors don’t get doesn’t make the performance any less impressive.
The Disaster Artist is a comedy at its core, I would call it more comedy than drama at any rate, and it’s a film which could easily fall into mockery given its premise. It doesn’t. Watching Sestero and Wiseau bring their dream to life is hysterical, but the film always manages to take the high ground by focusing more on the passion and heart of its characters than on their ineptitude. This makes the film into a skewed inspirational story with a message that seems to be saying the pursuit of our dreams is more important than the actual achieving of them, and who knows, you may still achieve greatness in the last way you want or expect despite yourself.
Do you need to have seen The Room in order to understand and enjoy The Disaster Artist? I have seen The Room once before, some time ago, and part of me wishes that I hadn’t. It didn’t ruin my enjoyment of The Disaster Artist in any way, far from it, but I believe that the experience each person has is going to vary greatly depending on whether they are a fanatic of The Room whose seen it over and over at midnight showings and at home, whether they’ve seen The Room a time or two and at least know what it is, and if they’ve never seen The Room at all. The fanatic is going to see a movie about the creation of a thing they already know and love, the one-time viewer will get the story but won’t have near the investment, while the person who’s never seen The Room will get an off the wall inspirational biography. All three of these people will get an entertaining, hilarious, and at times heartwarming movie, but all three will come away with an entirely different take away from the experience, and part of me wishes I could start at the beginning and experience The Disaster Artist from all three perspectives (though, I don’t know when I’d find the time and the energy to see all those midnight showings).
Final verdict: The Disaster Artist is just a little too oddball to be a film I recommend to everyone, but that’s the only reason I wouldn’t. James Franco gives a performance so incredible he very well may garner his first Oscar, and while it’s more of a long shot, I wouldn’t be entirely surprised to see him get a Best Director nomination, as well. The Disaster Artist is both one of the best biopics and best comedies of the year, and that’s a combination you don’t see often at all. If you’ve seen Ed Wood, you’ll already be familiar with what you’re getting in The Disaster Artist, but even then you will still be awed by the attention to detail in both the performances and the recreations.